- April 19, 2026
Golden Thread’s Current Decade
By Nabra Nelson, Marina Johnson, Sahar Assaf. This episode is a deep dive into Golden Thread’s evolution. Source link
Slow-Motion Gives Forced Migrants the Chance to Move at Their Own Speed
By Dmitrii Zenkov. To make theatre with forced migrants in Serbia, Dmitrii Zenkov knew he had to slow down. Source link
A Conversation with Purva Bedi and Mariana Newhard
By Kristin Marting. On 20 April 2026, TORCHES continues with a conversation with multi-hypenates Purva Bedi and Mariana Newhard. Both are acclaimed writer performers who
Golden Thread’s Second Decade
By Marina Johnson, Nabra Nelson, Yussef El-Guindi. Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in the post-9/11 landscape; and how
On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood
By Amanda L. Andrei. Amanda L. Andrei crossed continents to see Carolina Bianchi and Cara de Cavalo’s Chapter II: The Brotherhood in search of transformation.
Golden Thread's First Decade
By Torange Yeghiazarian, Marina Johnson, Nabra Nelson. This episode is a deep dive into the founding of Golden Thread Productions with founding artistic director Torange
For Palestinian Theatremakers, the Future Is a Dangerous Question
By Bayan Shbib. The Writing the Future workshop intended to create space where young Palestinian theatremakers’ could articulate their own precarity through monologue and solo
Thirty Years of MENA Theatre
By Marina Johnson, Nabra Nelson. Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African, and Southwest Asian theatre in
Symposium and Book Launch for Latin American Plays in Translation
By . Join us for a conversation about creating theatre across borders, its challenges, and its possibilities; and imagine with us a global community that
A Conversation with Trey Lyford and Geoff Sobelle
By Kristin Marting. On 23 March 2026, TORCHES continues with a conversation with creators Trey Lyford and Geoff Sobelle. Source link