ARTS & THEATER

How to Find the Way in Executive Search for Arts Organizations 

Build the Reason for the Trip A good journey requires a good amount of planning, and each theatre organization I work with requires a different

ARTS & THEATER

Islam, Migration, and Storytelling | HowlRound Theatre Commons

When Islam was first professed on the Arabian continent nearly 1,500 years ago, it drew ire. The staunchly monotheistic belief system threatened enormous social, political,

ARTS & THEATER

I Designed a Series of Workshops to take back my body

Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has been a purposeful, intentional choice.

ARTS & THEATER

The Moor I Want to Love

Othello breaks my heart. Every. Single. Time. Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find myself returning to him

ARTS & THEATER

The Beauty of Being Lost Is Like Honey on Watermelon

Thereafter, I got a job marketing theatre to the East African community. I thought, “I already spend so much time in the East African area,

ARTS & THEATER

Nubian Theatre | HowlRound Theatre Commons

Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa

ARTS & THEATER

Ibn Daniyal and Puppetry  | HowlRound Theatre Commons

Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa

ARTS & THEATER

A Designer-Director-Dramaturg Dalliance | HowlRound Theatre Commons

Over four days we created a concept that empowered inclusivity and unbounded creativity. It also allowed us, for a short period of time, to conceive,

ARTS & THEATER

Ottoman Theatre | HowlRound Theatre Commons

Marina: The third and final form of traditional theatre that we’ll talk about today is Meddah, which translates simply to “storyteller,” and it is just

ARTS & THEATER

Ten Years of The Gun Show

Nate Cohen: It’s been ten years since you wrote The Gun Show. What led you to start writing it when you did? Ellen Lewis: For