- February 5, 2024
A Twelve-Foot Robotic Arm, Like Chekhov Would Have Wanted
Igor Golyak: Good question of what is real and what is not real, whether virtual theatre is real. Tjaša Ferme: Yes. Well, whether theatre is
Aristotle Thinks Again | HowlRound Theatre Commons
This work continued a company June 2020 online workshop performance with Safer. GJR members were joined by guest performer Marcus McGregor to explore Greek tragedies,
Queer Dramaturgies in Turkish Theatre
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
The International Mobility of Disabled Artists and Culture Professionals
As part of its pluriannual program co-funded by the European Union, On the Move twice a year proposes Mobility Webinars to collectively investigate international artistic
Quipu: an Ancient Incan Recording Device
Tjaša Ferme: Today I had the privilege to talk to Eamonn Farrell and Lucrecia Briceno of the Anonymous Ensemble, a devised company based in Brooklyn.
Resisting “Yes, And” Culture and Learning to Say No
Why Saying No is Important So if it feels so wrong, why say no? Learning to say no is an important skill because everyone is
Interrogating the Politics of Oppression in The Struggle
Dan: It is the black gold that was given to us by God, and which is the liquid gold—oil—as a result of its discovery in
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Claiming Our Places in the Legacy of Latinx Theatre
Mark: And that’s in high school? Réal: Yes. Mark: Wow. Réal: I know. I feel so lucky. College was difficult in the sense that it
The Sum of Us One-Act Festival: Talk Back with Heather McGhee
Bishop Arts Theater Center proudly welcomes Heather McGhee, New York Times bestselling author of The Sum of Us which outlines what racism costs everyone and