- January 6, 2024
The Thriving Legacy of Black Theatre: The Making of a Movement
Leticia Ridley: Welcome to Daughters of Lorraine, a podcast from your friendly neighborhood Black feminists, exploring the legacies, present, and futures of Black theatre. We
Intimacy Directing for Theatre Book Release: Reading Number Two
Dr Ayshia, Colleen Hughes, Marie Percy, and Sheryl Williams invite you to celebrate the release of the first textbook to address intimacy and consent work
Intimacy Directing for Theatre Book Release: Reading Number One
Dr Ayshia, Charlie Baker, Kaja Dunn, and Kimberly Senior invite you to celebrate the release of the first textbook to address intimacy and consent work
Affinity Spaces for MENA/SWANA and LGBTQIA+ Artists
Marina: Thank you so much. We started this season talking about queer MENA, SWANA artists with Adam Elsayigh who is not in the room right
Commedia Gets a New Face
Stereotypes in Traditional Mask Designs As a mask maker, I am tasked with representing a character on stage. I’m often asked to fabricate masks for
Under the Radar Symposium | HowlRound Theatre Commons
Conceived of and produced by Mark Russell and ArKtype in partnership with the International Presenting Commons (IPC), Creative and Independent Producer Alliance (CIPA), and HowlRound
Thinking Outside the Black Box
Larger Theatre Companies With Buildings Requesting a larger company’s actual stage is a huge ask, and often not financially practical for small companies or independent
Contemporary Circus in NYC: New Audiences and Global Connections
US audiences have been slow to awake to circus’s recent (r)evolution. Gone are the tired old stunts, ethically questionable human displays, clown cars, and elephants.
Why the American Theatre Needs Nobel Laureate Jon Fosse
Jon Fosse is one of only a handful of playwrights to be awarded the Nobel Prize in Literature out of 120 people in the last
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks