- August 29, 2024
Four Playwrights from the United States on Working in European Theatre Cultures and Economies
Edward: Jermyn Street Theatre is a great place to do my show. I don’t actually know the budget for the Jermyn Street Theatre. I was
Children’s Participative Theatre for Social Impact
Once the children are seated, the conductor welcomes them and asks a few questions that they answer freely. For many of them, this is their
Internationalisation and the Caribbean | HowlRound Theatre Commons
The webinar will be live streamed by HowlRound. The conversation will be in English, with interpretation into Spanish, and with live captioning. Live Captioning is
Toolkit for Community-Embedded Artistic Practice
Where Do I Go? Go where the people are—and expect to spend a hell of a lot of time there. I started in houseless spaces
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Rant and Rave: Middle Eastern, North African, and Southwest Asian Classics and Theatre History
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
Mythologizing the Self Through Autofictional Theatre
Obviously, then, as a dramatization of my life, Strange/Familiar isn’t a straightforward autobiography. Instead, the play blurs personal history with artful invention, even as the
Resistant Ventriloquism and Postcolonial Courtesy
In this episode, we continue our conversations around theatre history with Dr. Samer Al-Saber for a conversation around resistant ventriloquism and postcolonial courtesy. It is
Ecological Horror On Stage in Black Sunday
Jesús leaves California after his wife and children are deported in the La Placita Raid, a 1931 raid in Los Angeles where authorities rounded up
The Haunting of Migdalia Cruz
Many of Migdalia’s plays, from the very early Miriam’s Flowers to Fishtank and Two Roberts in this volume, live in limbo lands, the “where do