- January 21, 2024
Resisting “Yes, And” Culture and Learning to Say No
Why Saying No is Important So if it feels so wrong, why say no? Learning to say no is an important skill because everyone is
Interrogating the Politics of Oppression in The Struggle
Dan: It is the black gold that was given to us by God, and which is the liquid gold—oil—as a result of its discovery in
Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by Public Theater Playwright-in-Residence Suzan-Lori Parks
Claiming Our Places in the Legacy of Latinx Theatre
Mark: And that’s in high school? Réal: Yes. Mark: Wow. Réal: I know. I feel so lucky. College was difficult in the sense that it
The Sum of Us One-Act Festival: Talk Back with Heather McGhee
Bishop Arts Theater Center proudly welcomes Heather McGhee, New York Times bestselling author of The Sum of Us which outlines what racism costs everyone and
The Thriving Legacy of Black Theatre: The Making of a Movement
Leticia Ridley: Welcome to Daughters of Lorraine, a podcast from your friendly neighborhood Black feminists, exploring the legacies, present, and futures of Black theatre. We
Intimacy Directing for Theatre Book Release: Reading Number Two
Dr Ayshia, Colleen Hughes, Marie Percy, and Sheryl Williams invite you to celebrate the release of the first textbook to address intimacy and consent work
Intimacy Directing for Theatre Book Release: Reading Number One
Dr Ayshia, Charlie Baker, Kaja Dunn, and Kimberly Senior invite you to celebrate the release of the first textbook to address intimacy and consent work
Affinity Spaces for MENA/SWANA and LGBTQIA+ Artists
Marina: Thank you so much. We started this season talking about queer MENA, SWANA artists with Adam Elsayigh who is not in the room right
Commedia Gets a New Face
Stereotypes in Traditional Mask Designs As a mask maker, I am tasked with representing a character on stage. I’m often asked to fabricate masks for