- April 8, 2025
GROWING DAISIES; an unapologetic female perspective
The poetry in GROWING DAISIES is deeply emotional and unmistakably erotic. But that is just a precursor to the character’s state of mind. The post
World Art Day Report: California #2 in Arts Friendliness
With World Art Day coming up on April 15, and approximately 5.2 million Americans employed in the arts, the non-profit organization SmileHub today released new
Honk if you’re a Nosher! Manischewitz ® Debuts ‘Deli on Wheels’
Earlier this week, the iconic 130-year-old Jewish food brand Manischewitz ® launched something unexpected: a full-blown Deli on Wheels. Serving up matzo ball soup, knishes, Jake
World Theatre Day 2025: “Can theatre hear the SOS?”
In celebration of World Theatre Day 2025, Rosalba Rolón (Artistic Director, Pregones/PRTT) and U.S. emergent artist and playwright Adam Ashraf Elsayigh will deliver the official U.S. Messages.
Odyssey Theatre’s, Ron Sossi Passes Away at 85
“We at the Odyssey Theatre Ensemble are heartbroken to announce that founding artistic director Ron Sossi passed away on Wednesday, March 19, at the age of
WARHOL/FRANKENSTEIN 4D at Zombie Joe’s Underground
“Life is everything and nothing;” seems to be Andy Warhol’s ultimate commentary about himself in writer/director, Steven Vlasak’s new play, WARHOL/FRANKENSTEIN 4D. But (WARNING) leave
Charli Lark’s “Gold Edge Tongue”: Transforming Pain Into Power
Out today is Austin-based, breakout electro-pop force Charli Lark‘s latest: “Gold Edge Tongue,” an intoxicating lo-fi pop single. A fusion of luminous synths, high-energy breakbeats, and
TWEFTH NIGHT at Antaeus Theatre
Their current production of TWELFTH NIGHT is Antaeus Theatre Company at its best. And unlike many stagings of a script written by Shakespeare or otherwise,
Theatre Facts 2023: Economic Impact and Recovery Insights
TCG’s Theatre Facts 2023 report documents the second year of the pandemic recovery. Total earned income increased by 94% since 2022, but remained 25% lower
MASTERCLASS at Sierra Madre Playhouse
Never more so than in this production of Terrance McNally’s, MASTERCLASS, does one realize just how misunderstood Maria Callas was in life and in “play”.