- October 22, 2024
Performance Art on Video with Khansa
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
RESISTANCE NOW! Republic of Love
Nationalist parties are on the rise across Europe, from the German AfD to the French Rassemblement National, from Hungary to Austria. They instrumentalize fears and
The Radically Inclusive Storytelling of UP UNTIL NOW: midair for some time
The show is interactive at its core, from the lobby installations to the guide helping with the haptics gear and answering any audience questions to
Exploring Advocacy Strategies to Increase Works in Translation on United States Stages
This season’s Broadway hits have included plays translated from Russian (Anton Chekhov’s Uncle Vanya) and Norwegian (Henrik Ibsen’s An Enemy of the People). This might
Working in Circles from Translator to Kulturmittler
Translators Are Part of the Team Late last year, a literary theatre agency I have worked with a number of times wrote me that a
The Harm of Teaching Commedia dell’arte to Contemporary Players
Observations on Acting with Stereotypes In my classroom, I found that my students played with less commitment when stereotypes of a character’s age, gender, intelligence,
How to Get Started Translating a Play
While the persistence and curiosity of a researcher is necessary for this step, serendipity also plays a part in this process. Translator and novelist Anton
1st Latinidades Arts Symposium | HowlRound Theatre Commons
This Symposium is a part of Cara Mia Theatre’s 5th Annual Latinidades Theatre Festival. Designed to support arts organizations and independent artists, the Symposium will
Troubling the Categories of “Adaptation” and “Translation” in Performance
Jean: Do you take roughly the same approach you’ve just described for each novel you’ve adapted for the stage? Caridad: Yes. House of Lagoon by
Why Don’t We Listen to Others? A Case for Theatrical Translation
Look at the credits for any Anglophone production of the musical juggernaut Les Misérables, and you may notice something curious: while Alain Boublil is credited