- April 1, 2026
The Super Mario Galaxy Movie review – even worse…
Regrouting blackened bathroom tiles; filling out a commercial tax return; cleaning the mouldering leaves out of a clogged storm drain; grudgingly buying a birthday gift for a racist aunt;
Pompei: Below the Clouds review – a stimulating…
The inner lives of buildings and institutions provide an intriguing and enlivening way of looking at the modern landscape, particularly through film. Just as human
Ryan Gosling – Jacket Man
If you ever find yourself wandering the streets of east London on a Friday night, maybe a few virgin Sea Breezes into your evening, you’ll likely see
Ready or Not 2: Here I Come review – here comes…
When you have a hit film these days, inevitably the question always arises about a sequel. There’s very little studios love more than a bit of valuable IP,
Forbidden Fruits – first-look review
Channeling the spirits of movies like Mean Girls and The Craft, Forbidden Fruits follows a group of young women working at a mall as they fight over group control, seek belonging, and
Project Hail Mary review – an entertaining…
The sci-fi subgenre of “ordinary man with remarkable but niche skill set ends up reluctantly saving the world” somehow still finds fertile ground in 2026
Scarlet review – a disappointing offering from an…
Across his two-decade feature career, Mamoru Hosada has stuck to a handful of thematic preoccupations. Family in all its complexity; forgiveness over revenge, and an earnest
Resurrection review – see it on the biggest…
Despite a framing device that vaguely ties its disparate stories together, there’s an extent to which Bi Gan’s Resurrection is essentially a glorified anthology film. But oh,
If you don’t play, you can’t win: Desert Hearts…
Forty years on, the film is often branded ‘the lesbian Brokeback Mountain’. Though it’s a rather lazy point of comparison (not least because it predates both
A Private Life review – a limp and convoluted…
The sight of Jodie Foster speaking fluent French is the most engaging element of this limp and convoluted psychodrama from the usually reliable Rebecca Zlotowski.